When I was seven, I knew exactly who I was: a thoroughly
American girl in race, manners, and speech, whose mother, Lulu Minturn, was the
only white woman who owned a first-class courtesan house in
Shanghai.
Thus begins an epic exercise in exposition, though it's a mix of plot, back story, setting and conflict.
Nevertheless, this opening line introduces setting, character, and conflict, or at least an awkward situation, as being white with a courtesan house in Shanghai can't be all smooth sailing.
What follows is a historical and psychological character analysis executed with dense paragraphs. For the first few pages every first sentence of each paragraph has an "I" or a "my" in it as the narrator unleashes her story on us.
What follows is a historical and psychological character analysis executed with dense paragraphs. For the first few pages every first sentence of each paragraph has an "I" or a "my" in it as the narrator unleashes her story on us.
First thing said:
"You spoke Chinee to a Chinee beggar and that makes you Chinee.”
Verdict: Pass (barely)
Sincerely,
Theodore Moracht
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